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Stained Glass |
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Amaryllis Panel
Stained Glass, 12 x 23"
This panel is for a door
in a hutch. The hutch was a piece of furniture originally purchased by my
first wife. In the divorce, the hutch was assigned to her, but she had no
place to put it, so I stored it for her free for a year. When that time was
nearly up, my ex wanted to sell it to me. I had no interest in the hutch -
instead I wanted to buy back my Broken Leaf
painting, which I had given to her when we were dating. We compromised on a
package deal where I bought both (and for less money than I'd have been
willing to pay for the painting alone). However, I never felt comfortable
with the hutch. With these panels, the hutch is transformed, and now it
feels more like my own. Plus, this panel celebrates Karen's interest in
plants, and for the Amaryllis in particular.
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Anthurium Panel
Stained Glass, 12 x 23"
This is the third panel
for the hutch described above. I was happy with how this panel turned out.
The design worked out nicely, both in itself and as part of the tryptch.
With a piece count of about a hundred, it's midway between the poppy panel,
which had about 150 pieces, and the Amaryllis, which had about fifty. The
soldering also went very well. The hutch looks gorgeous, and it gives the
whole kitchen an entirely different feel.
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Poppy Panel
Stained Glass, 12 x 23"
This is the second panel
for the hutch described above. This was a much more complicated panel, with
over three times the piece count of the Amaryllis panel. With this work, I
feel my ability to work in glass is starting to come together.
Installed in the hutch, the table and room form a continuous architecture. The final
panel for this hutch, planned to be an Anthurium, will also be designed as
part of a continuous whole.
In planning this panel, Karen and I
considered several options. One plan was to do three Amaryllis of different
colors, with the alternative doing three different types of red flowers. I
think we made the right choice.
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Hutch Tryptch
Stained Glass, 3 panels, each 12 x 23"
Here's a picture of the
three panels combined in the hutch.
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Monstera Glass
Stained Glass, apx 16 x 16"
This piece was requested by my wife, Karen,
who has a passion for plants, and keeps our house looking like a tropical
jungle. I found the
Monstera leaves particularly interesting and dramatic. When I wanted to
get back into stained glass work after a long hiatus, this was the design I
choose. It's a fairly simple design, with only 26 pieces not including the
border. But, the internal holes in the leaves were very challenging to cut.
Since these holes are so characteristic of the plant, it was a critical
design decision not to compromise their integrity with distracting
relief cuts. A lot of effort went into the selecting the best graining of
the glass for the leaves, but I broke several pieces cutting the deep
curves. It took time and patience to complete. I hope you agree with me that the extra effort was worth it.
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Leaping Orca
Stained Glass, 8 x 8"
This piece was my first
using lead free solder. Lead free solder takes a little getting used to, but
the adjustments are easy, and the material is vastly superior to its toxic
cousin in every way except cost. Lead free solder is brighter, stronger,
takes finish well, and does not contribute to killing the planet as I try to
make it more beautiful. I think this is a very important thing, and wish all
stained glass artists would abandon leaded solders.
This small panel is based on a
painting I did. It's a small panel, about 8" square,
which allowed me the unbroken cuts for the sky and glaciers. The splashing
water is a pearlescent glass, and gives a good effect in person that's not
captured in this photo.
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Stained Glass Panel
Stained Glass, 16 x 26"
Not a painting, and not exactly
art as I normally think of it. But, it was a fun project to make and I'm in the process of setting up a workspace
to make more figurative stained glass windows of original design, which will be more artistic.
Still, this one looks really nice on the front porch of my home.
Stained glass does have significant
potential for artistic expression, and it's a very old and established
medium. Modern methods and products make it much more accessible and safer
for an individual artisan to produce quality work. This is one area my
wife and I are looking forward to collaborating in.
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